Jolly Tree Farm 1: Spruced Up

The Fat Quarter shop was offering a Mystery Christmas quilt over a four week period. The Week One introduction, titled Spruced Up, caught my eye as being especially cheery and I loved the fabric selection. It was shown in the Poinsettia and Pear line by Sherri and Chelsi. To me it was red and green Christmas with a playful tweak of corals and lime substitution. The pattern was a four issue free download release weekly. I religiously downloaded the patterns and came to the realization I really did want to make this 31.5" x 36.5" wallhanging. It was no longer a mystery since I peeked ahead before starting. I refrained from buying the kit —rare restraint on my part. I did however, buy a layer cake of the prints I so loved, along with some white houndstooth fabric for the background.

The trees initially start out as nine flying geese blocks. From those cut off corners I made four pinwheels with two HSTs leftover.

These nine flying geese were further transformed into triangular boughs of trees with the addition of white background on the corners. These corners that I cut off were more complex now and they had a handedness. I also was exceedingly careful to have all the houndstooth face the same way. I know that this was an unnecessary challenge that I placed on myself, but so be it. 

I had nine HSTs with red on the right and nine HSTs with red on the left, all with green on the bottom. I joined them into two pinwheels with green centers and two pinwheels with red centers.

There were two simple orphan HSTs  and two complex HSTs that did not make it into pinwheels. Maybe they will go with other HSTs from later blocks. 

Despite my distraction with the "leftovers", I did complete the first of of four sections. Spruced Up measures 11½" x 18½".  See? The houndstooth all faces the same way. The block as well as the extras are shown in the second photo.  Also notice there is about the same amount of fabric in those cut-offs as in the finished block.

October Flying Geese and Pumpkins Completed

This post continues my work, many my FMQ, on the October banner from the Pieceful Patchwork Banner for October from Shabby Fabrics that I assembled in my previous post. "Quilt as Desired." That phrase used to strike fear in me but not so much now. I break down these wall hangings into sections and try something different in each area. I also mix up ruler work with free-hand, not just for variety in the quilt, but also for my own sanity adn skilll building. 

Flying Geese
For the orange and black flying geese bodies I used Angela Walters' shape by shape inspiration and her ruler Slim to denote direction. I wanted the pointed angularity to give a sense of motion and to echo the V-shape in the sky of migrating geese. I would address the cream speckled sky later. I used this same ruler in the pumpkins, leaves, and stems. It is my very favorite because of the convenient hand-held size, the light and dark lines, and the 45° guidance indicators.

Pumpkins Proper
For the pumpkins I wanted to call attention to each central sawtooth star so I echoed around its outer edges. I planned to go ½" apart but I goofed and so was committed throughout to ¼" spacing. That was a lot of dense quilting that I felt obligated to repeat in the second pumpkin. I chose not to go so dense in the pumpkin center. I've been told that one of the rules of quilting is that there be equal density throughout, but I flaunted that guidance.

Leaf and Stem

The grid fabric of the green leaf seemed to call out for a grid quilting. I explored that option at first, but then decided I preferred a veined approach for the leaves. For the adjacent stem, vertical lines could have been appropriate like the stem on a real pumpkin. Instead, I chose to echo the diamond from the pumpkin center below. I auditioned my options on a clear page protector with a dry erase marker, then overlaid them on the top itself for the final decision.

Thin and Wide Borders
Using an orange thread in the thin inner border, I stitched a zig zag using the concave right angle of the Handi VersaTool. 

For the wide outer border, I stayed with the orange thread and used the HQ Wave E template, the steeper wave side. The curvature seemed to work out well with the scale of the haunted mansions in the border print.

Background and Sashing

For the background and sashing I switched to a cream colored upper thread but left the orange in the bobbin. I reasoned that even if my tension did stray, tiny bobs of orange peeking up in the speckled fabric would be OK. Orange top stitching would have been a distraction. By the time I got to the background and sashing I wanted to give my ruler concentration a rest. I did my standard arcs free-hand in the background triangles of the flying geese blocks. The arcs are hard to see but they do give texture and do not distract from the geese. I did loops in the striped sashing using the wide black lines to guide my spacing. 

For around the pumpkins, meander at first came to mind, but that is still not my strength. The theme of loopy tendrils at the top of pumpkins gave me the inspiration for doing a meandering loop. The meandering loop is in the same thread as the background so the imperfections are not obvious. Non-smooth glitches are still there but they are passable while I continue to practice my meandering.

The non-smooth glitches show up more clearly on the backing as well as my slightly imbalanced thread tension. Uneven tension bias was intentional on my part. I'd rather cream bobbles on the back rather than orange bobbles on the front. The next two photos are front and back close-ups of the same area of pumpkin. The stem can serve as a source of orientation. I need more practice to get smoother.

Labels

My grosgrain labels were black thread on orange grosgrain ribbon read DIC_OCT_2026 and FLYING_GEESE_AND_PUMPKINS. As is my tradition for these banners, the OCT stands for the theme month and not my month of completion. Here are the labels before and after attachment to the quilt corners.

 

Completed Banner
The completed banner measures 31" x 31" and will be hung outside my sewing room doorway come October 1st. For completeness I have also shown the back with the hanging sleeve.

Here are my completions thus far for this series from Shabby Fabrics.

• JAN    Snowmen and Snowflakes (2/10/26)
• MAR  Shamrocks and Irish Chains (4/6/26)
• APR   Bunnies and Carrots (3/6/26)
• MAY   Roses and Pansies (9/11/25)
• JUN    Strawberries (9/6/25)
• JUL    Flags and Pinwheels (6/24/26)
• AUG    Bees and Sunflowers (9/21/25)
• SEP      Log Cabins and Schoolhouses  (8/5/26)
• OCT    Flying Geese and Pumpkins (this post 8/26/26)

Three more to go. I am really looking forward to the November banner, which has acorns!

October Flying Geese and Pumpkins

The theme for the  Pieceful Patchwork banner for October from Shabby Fabrics is autumnal. There are two Flying Geese blocks (... call to mind migrating birds...?)  and two Pumpkin blocks. The color tones are subdued oranges, charcoals, and blacks like Halloween but not particularly garish or scary or witchy in theme. As usual, I cut out the fabrics and organized the pieces in my tray with Alphabitties. I used blue Alphabitties for the pumpkin blocks and black Alphabitties for the flying geese blocks.

Flying Geese Block
The instructions were for making the flying geese by attaching speckled-cream squares, which are the sky, at four corners of a larger color square which is the birds body. This method yields four flying geese rectangles at a time with very little waste. There will be no bonus pinwheels for me from the sew and flip method for flying geese that yields one rectangle at a time. I happened to have in my tools the Bloc-Loc Ruler to make 3" x 6" flying geese. Sewing and trimming by this method made short work of generating 16 flying geese units, four each of a black/speckled-cream or orange/speckled-cream color combination. I also put into service my rotating mat to speed up the trimming. 

These 16 units are joined into two 8-unit blocks. The blocks have opposite polarity of the center pinwheel and they will go in opposing corners of the banner.

Pumpkin Block
Each pumpkin block has a saw tooth star at its center, made from flying geese units. The instructions called for a finished flying geese unit to measure 1½" x 3". The closest sized Bloc-Loc ruler I had was for 2" x 4" finished. That was OK. I used only the top edge where the point was to get that edge accurate using the ridge feature of the Bloc-Loc ruler. I trimmed the bottom edge using a regular ruler so that the height was 2". Then I trimmed to two side edges, once again with a regular ruler to measure 1¾" out to each edge from the center, giving a 3½" width.  Yes, having the desired size Bloc-Loc ruler would have been easier, allowing trimming all four sides without switching rulers. But Flying Geese Block-Locs are pricy, on the order of $40 each. They are certainly worth the convenience for making many units but I had only a few to make and so I improvised. I had two saw tooth stars to construct, each needing four flying geese units.

After adding orange borders to the top and bottom of this star, central to the pumpkin, I then used the flip corner technique, chain stitching to efficiently add on a yet different orange background corners. Once I fed one star through, I fed the second one through without breaking thread, repeatedly bringing the rear star around to the front. The cut off corners however were too small to make bonus pinwheels. I suppose I could have. but the effort would have been extreme for the small finished size.

When I used the same flip corner technique to add the speckled cream background corners to the full size pumpkin, I was able to salvage the four corners from each pumpkin and have two pinwheels as a bonus.

The stems I made one at a time because I wanted them to be mirror images and I was afraid I'd get confused if I tried both at once. The second photo shows the two pumpkins as reflections of each other.

I added a striped sashing between the blocks, satisfied that both the flying geese blocks and the pumpkins blocks had mirror images in diagonally opposed positions on the banner. Aa a last assembly step. I add the inner charcoal and outer black borders.

Next up is the sandwiching and quilting. Then I will add the labels, a hanging sleeve, and finally the binding. I have to remind myself that for these banners, the assembly of the top takes me less time than the quilting and completion. Once I acknowledge this fact, I become more patient about the time commitment to finish the final stage. I consider my self primarily a piecer, and only secondarily an FMQer.

Christmas Celebration Ornament Row

An “Ornament Row” is the sixth row in my Christmas Celebration quilt from the Shabby Fabrics' Christmas Celebration Row Quilt series, pattern by Coach House Designs. There are five blocks to make in this sixth installment, each with three ornaments. The fabrics are from the Emmitt and Ivy Sweetwater line for Moda. The balls are made from five fabrics as shown with a tape measure for scale on the first photo. The strings for hanging the ornaments are either red, green, or blue as shown on the left side of the second photo. The ornament tops are striped fabric, shown on right of second photo.

I prefer to work with assigned piece letters rather than a piece description. To me it is easier to say use "A" rather than use a "2" x 3 ½ " piece of Fabric 1". I write the letter in on the pattern instructions and also add letters to any figures. Then I use my Alphabitties to label the pieces as I cut them out and stack them.

I chain pieced the white corners on all fifteen balls first, all the H/D subcomponents. I did these fifteen units assembly line style. Even when trimming the corners, I lined five up at a time and trimmed the corners with one fell swoop of the rotary cutter. 

Here are five balls in the representative colors, with all four corners of each trimmed and flipped. I considered not trimming them, since the triangle being removed is so small, but then I was concerned that untrimmed dark print might show through the white. Being a small triangle to snip off had another advantage. I felt no obligation whatsoever to make these into pinwheels as I often do with leftovers from the stitch and flip method.

Next I chain-pieced the side additions to all fifteen ornament tops (first and second photo), followed by the side additions to each ornament string (third photo).

Now the challenge was to create the correct combination of ball, top, and string for each ornament. To keep the fabric locations clear, I write each fabric number in the block diagram for each of the five ornament-trio block according to the chart of fabric locations chart in the instructions. Of course it helps to have the color designations handy to correspond to those numbers.

Here are the three ornaments A, B, C from Block 1 individually, and then joined as a trio. At this point I began to layout each three-ball block one at a time. Chain-piecing at this stage was limited, since I had to move carefully to match balls with tops with strings. 

As I made the other four blocks I added them to the right of the growing row. I pressed that center horizontal seam alternately up or down to reduce the bulk at the interface between blocks. 

Here is the row of five ornament blocks up on my design wall, added to the previous rows from this project. Oddly, I felt a bit of sadness when I completed the final block; I really enjoyed working on this quilt — the colors, the symbols, the mini-prints. I excitedly anticipate the 7th installment of borders and sashing. 

This final photo shows the tools of my trade that streamline the assembly and helped me be organized, all gathered on one of my melamine trays from the Fat Quarter Shop. At the top is a Clover thread cutting pendant, but I insert it upside down in an empty spool and use it to slice all the threads from chain piecing. To the left are my Wonder Clips and below are my pink Alphabitties.