Thursday, September 5, 2019

Green-Red-Blue FMQ

After mulling it over for way too long, I finally decided the FMQ pattern I would use on the primary colored large stars of my Whirligiggles quilt (earlier prepping post dated 11/23/17). The larger exterior points of the star would have three softly curving lobes each. The inner point of the star would have half-points alternating between two arcs or fill-in lazy loops. I numbered the sequence so I would not forget the path for a continuous loop from one star point to the next. Stitching the central large lobe first helped me judge the space best to fill in the two smaller lobes on either side. I established the chant, lobe (1), lobe (2), lobe (3), curve out (4), squiggle in (5), curve out (6), working my way clockwise around the six points.


Then I needed to decide my thread color. Having spent hours upon hours picking out white thread, I was not going to put that back in. I chose gray for the back. I had a light gray and a darker gray. Ideally I would have liked a tone in between these two but decided on the darker one would be satisfactory. The lighter was too close to white and brought back painful-picking memories.


But what color to use for the front? Initially I considered variegated options but there was no red/green/blue combination thread... only red/white/blue (too patriotic) or red/white/green (too Christmasy), or combinations that include orange or yellow or purple (colors not present in top). Also stitching with variegated thread occasionally fades in and out of visibility depending on whether the thread matches or contrasts with the fabric. There are five full stars in the quilt top and two partial stars on the edges with five out of six points. I decided I would use red OR blue OR green thread depending what would look best on that particular star. The central full star would have blue thread and it was surrounded by four stars and two five-sixths stars in either green or red thread. Partial bow-ties of the zig zag border on the bottom would be in blue and partial bow-ties of the zig-zag border on the top would be in green. I drew myself a chart to remember these color choices outlining the secondary pattern of large stars in black and labeling their thread color as R or G or B. The red would be a pure red and the blue would be a royal blue. I decided to start with green since that is near a quilt edge and not smack dab in the middle. My FMQ gets better as I build my muscle memory so I did not want my less practiced patterns to fall in the center. I would do that later when I was better – theoretically speaking.


The green needed to be decided and I had three choices in my thread cache. The top was too olive and muted. The middle was decently bright and pure and a good match with the greens, but the lightest one at the bottom would show up best on the red and blue.


I chose the middle one, now on the right, because when set next to the pure bold red and blue threads it seemed to complete the trio best. The lighter one on the left was a tad too yellow in comparison.


I finally got brave and did my first star. This green threaded one is on the edge with five points instead of six.



Here is a closeup of one point. From left to right, star center, lazy loops in half of the inner star point and three large lobes in the outer star point. The quilting does not jump out; it is subtle. So subtle in fact I wonder why I fussed and agonized so much. Perhaps those three lobes should be echoed for a denser quilting but for now I am going with this design for the other two green stars.


To avoid confusion when I moved on to another star, I marked my thread color choice for each star with green, red, and blue safety pins. It was just coincidence that those colors came in the package.


I'd completed the green thread stars and did the partial fill-in triangles on one end. I did not spend a lot of time figuring out what stitch to do in these two triads that seem to form a bow tie. I repeated lazy loops and formed two lobes instead of three since this was a smaller area. My hand is not as steady as I'd like it to be in these edge areas but it is passing. I hope that galloping horse moves swiftly as it carries its rider past.


Next up is the red-threaded stars. My first one on the edge (partial star) went well and I was in the swing of producing my chosen three lobe pattern and lazy loops. When I unfurled the quilt to take a photo of a completed red-threaded star, I was bummed. Unfortunately, I had caught one corner of the quilt underneath and quilted parts of three lobes through it. Dang! I thought I was being careful but my skill at this FMQ business has lots of room for improvement. Back to picking out – again!


My long-arm Heidi is a sit down Handiquilter Sweet Sixteen where the quilt itself is not mounted on a frame. Here is my set-up. I try to extend my work area with an ironing board and concentrate on one quilt section at a time but, even so, these goofs are possible and do creep in.


Once I removed those stitches that held the folded under corner, I was left with this remainder of the lobes still stitched. I went ahead and removed these lines also, so I could have a continuous stitch when I put the three lobes back in. The faint perforation lines remain from the removed lobes but they were good guides for me. On a positive note, I do like how the red lazy loops show up on the blue with green dots.


I noticed on the back side that Heidi had burped a wad of lint at one point. I am fortunate that Heidi is pretty forgiving. When she occasionally barfs these up, like a cat producing hairballs, it does not throw off her tension. I hear a sound and I am learning to train myself to be more attuned to her language when she talks to me.


 Undaunted – though admittedly slightly discouraged – I resume FMQing the final red thread star. 


Here is the final, full, red-threaded star completed. I know, I know – the fabrics are busy patterns so my stitching barely shows up. The lobes show up and draw the eye outward but the red lazy loops on the red /white pezzy print are kind of lost. But I know they're there.


I have the central blue star and blue edge inserts remaining to FMQ, but I will save them for another day. It is night as you can see though my window. I have my color key taped up where I can see it and to help me keep my "eyes on the prize."

Tuesday, August 27, 2019

Brentwood Quilt Show

The city of Brentwood is about 25 miles north of where I live. Last weekend, on Saturday, August 17th, I went there with my friend Renée to enjoy a quilt show sponsored by the Delta Quilters Guild. It was held in the Brentwood Community Center. The city's decor out front beckoned me to climb up and wave hello. Guess I am channeling Lily Tomlin's character Edith Ann.


The theme of the show was The Journey of a Quilter.


The featured artist of the show was local quilter Julie Bretz. In the following photo (by Tony Kukulich) she is holding a bicycle quilt. Nine of these quilts with interpretations by different quilters were hung throughout the show and visitors were challenged to find all of them, extract a letter from each, and unscramble those letters to form a word and win a prize. The game added an extra level of fun to the show and ensured that the visitors explored every nook and cranny.


THE QUILTS
As I walked in the entrance of the high ceilinged community center I looked up and surveyed the striking quilts hung from the railings. I scanned from left to right, taking in the beautiful artwork and craftsmanship with an array of varying patterns and color schemes.




Walking along the rows of quilts I took photos of those that spoke to me for one reason or another. I liked the saying around the border of this appliquéd Monster Quilt exhibited by Norine Dolyniuk. I admire appliqué but do not do it myself. Norine states that although it started out as a quilt for her great niece, it now instead hangs in her own sewing room with a saying customized for those who collect fabric.
There are big scary monsters under the bed
And every night they must be fed.
They love to eat fabric. It's their favorite food.
It puts them in the very best mood.
So the lesson is clear, consider your plight.
Keep buying more fabric, or be dinner tonight!


This quilt, There are Witches in the Air, immediately drew me in because I too have purchased this richly colored panel and have yet to determine how to use it. This windowpane effect by Sue Schnittker, especially with her color choices for the mullions, transforms this panel into a striking wall hanging. I really do need to use more solids in my quilts. They can be truly effective.


The decor throughout the show was also whimsical and inviting. This chubby mummy wants the visitors to know that "Some mummy Loves me". And I do too!


This year is the 50th anniversary of the picture book The Very Hungry Caterpillar by Eric Carle, a favorite of my own children, all grown up now to ages 39, 36, and 33. This quilt exhibited by Virginia Rose and named after the book reminded me that I have two – not one, but two – kits in my closet of hungry caterpillar themed fabric for making two twin size quilts. I bought these kits from Fons and Porter before I had any grandchildren at all. I now have five grandchildren, ages 7 and 4 via my daughter, and ages 5, 3, and 1 via my son. I am determined to make up these kits in 2019 and gift one per household.


The reason I chose to focus on this quilt titled Arrow Quilt in Gray and Yellow is that I have many layer cake stacks and fat quarter bundles and I thought this would be a quick and easy way to use them. Often I find it so hard so hard to break up those themed and related fabrics. Rose Merryman exhibited this quilt and credited the pattern from BeechTreeLane.com


What I liked about Christmas Courtship by Cathy Decker was the combination of colors that still spoke of Christmas but was refreshingly different from the standard red, green, and white. It is also a great use for many of the layer cake stacks that I have, even if they are not of an exclusively Christmas theme.


This next quilt is gorgeous in its own right but I was fascinated that it really represents three quilts of three friends each exercising their strongest sewing skill. One did needle turn and embroidery, one did appliqué and embroidery, and one did patchwork and paper piecing. They shared fabric and each made about one third the blocks in each of three quilts. Smaller images of the other two quilts are displayed – one in grays, and one in reds and grays.



This next quilt Summer Daze by Karol Wright shows the expression of art in two different mediums, watercolor and fabric. Karol's sister made the watercolor painting for her and Karol interpreted the same image in fabrics. I was impressed with the side-by-side pairing.




PURCHASES
No matter how well intentioned I may be to rein in the deluge of fabrics I bring into my home, no quilt show is complete without some purchases from vendors. This time I branched out in my purchases – no novelty prints, no fat quarter bundles, no layer cake stacks – yeah, me! This show I bought a tool, some trims, and a book. Not bad. 

I make the doll panels designed by Stacy Hsu and always struggle to nudge the stuffing down to the ends of their arms and legs. The various dolls I've made have been Cowboy & Cowgirl (6/24/15), Hansel & Gretel (8/24/18), Goldilocks & Bears (8/2/18), Mermaid (5/23/17), Lil Red (5/20/17).


This tool has serrations in the tip and a clamp at the looped grip end. The clamp is opened up, a clumped strand of stuffing is gripped in the tips, the clamp is closed, and the long slender tool allows the fluff to be inserted down into those hard to reach spaces. The clamp is released again and the tool withdrawn to leave the stuffing behind. The theory sounds great and the vendor of stuffed bears demonstrated it to me. I am excited to try it out for myself. I still have panels of other dolls to do – some bunnies and some elves.


One of the vendors used to have a brick and mortar shop but is now selling only at shows at very reduced prices to pare down her inventory. I bought these Christmas trims of tassels and satiny, lightly padded Christmas ornaments. Ok, I admit I do not know quite what I am going to do with them sewing wise, but at least I know they will make pretty gift package decorations.


This book contains a whimsical block designs and was priced at an almost giveaway cost of $2. The cheapest used one on Amazon was over $9 plus shipping. True it is about 8 years old with a copyright of 2011 but it contains a freeform alphabet which I can use whenever and the blocks are cute.



I told myself I could only buy fabric if I had a near term use for it. And yes I caved and I did buy fabric. I bought two 108" wide backing fabrics, each pre-packaged at three yards lengths at a killer closeout price. Since my stash is so full, I try to avoid sales as a motivation to buy fabric but this made sense functionally as well as economically. I dislike piecing quilt backs because I strive to match the seam and often with printed fabric there is a drift precluding a perfect match. Wide fabric will eliminate that frustrations for me. The blue paisley will be a backing for a blue Dresden plate kit I already own. 


The  dark green with blue swirls is earmarked for the back of a future Christmas quilt. The rich color makes me think of a blue spruce trees and the curlicues make me think of the blizzard scenes in the 2013 Disney movie Frozen.


Renée and I had a delicious lunch at Cap's, a restaurant just across the street from the community center. It was a great day, overall...  good quilts, good food, good fabric, good friend!