My Midnight Crossing quilt kit has sixteen blocks made from eight fat quarters. The previous ten blocks (five block pairs) were presented for block pairs 1,2,3 in the post for 8/18/22 and for block pairs 4,5 in the post for 8/23/22. This post is about the completion of the block pairs 6,7,8.
I sewed the sixth pair of blocks from an orange zig-zag fabric that I bought as a replacement for the orange dot fat quarter that I mistakenly cut into squares instead of rectangles. Since I needed to buy a half-yard instead of a fat quarter, I had spare yardage to recover if I goofed; so I attempted to cut the horizontal posts so the fabric ran in the same direction as the rest of the block. To do so would orient them at 90° degrees from default cutting diagram and it was possible they would not fit. I was pleased I figured out how to squeak everything out of a fat quarter all in the same direction. Here is that block out of the directional orange zigzag.
My favorite time to sew is in the morning as soon as I get out of bed and am still in my nightgown. My sewing room is cool and I can still have the window and blinds open to let in light but not heat. I was "in the zone" when I whipped out that first block.
My husband poked his head in the door and said, "Your cell phone has been
ringing off the hook. Shall I bring it to you?" (Ringing off the hook... there is an anachronism that dates us!) I accepted the cell phone, answered a few texts and went back to sewing. I was confident and cocky, having made this block pattern eleven times before, but the pause in my sewing had disrupted my momentum. Here is the first resulting goof in making that twelfth block.
Now that my cell is in the sewing room with me, I answered a few calls and sent another text. Bad move. There were consequences to the distraction. Luckily there was nothing too dire or difficult to fix in that second goof. The second orange zig-zag block turned out OK eventually, without any major mess ups that I can detect.
Time to switch to the seventh fat quarter. Gray would be a welcome change. I also challenged myself to unify the orientation as I did on the orange zig-zag. On my block pairs from the first two fat quarters, I was focused on learning the block and did not want to tempt deviating to orient fabric. I was able to orient everything except two central posts the same way; but on such mini-prints that was not very obvious. I was going to attempt to do better on the gray mini-dot which does have a up-down and side-to-side aspect. I succeeded. All the dots are oriented in rows rather than columns.
Once I had the cutting configuration figured out both for the orange zigzag and the gray dots, I was able to orient the black zigzags consistently as well.
My progress since the last post was completing two each of the following three blocks – the final six. To get consistent orientation, each fabric required a bit more thought and deviation from the recommended cutting layout, but the result was worth it.
Here are the blocks from all eight fat quarters. I've made two of each for a total of sixteen. I am pleased that I substituted the orange zigzag fabric or the orange mini-dot fat quarter I cut in error. The orange mini-dot still appears in half of the X centers. My next step is to cut the sashings and make twenty-five checker board posts for the intersections of the vertical and horizontal sashings.
Now is the time to think about and decide on my backing fabric. This fabric line is from 2019 but there are still fabric stores online that carry some of it in limited quantities. I think I will look and see if I can find the multi-color criss cross in the lower left, or the orange and cream floral in the center. The mini prints are too plain for my taste and the zigzag might make me dizzy in large expanses.
You say your phone was ringing off the hook (I still use that expression as well), but then you don't say who it was! Oh, the suspense. Your sewing corner looks amazing (I could only wish for that much natural light!) and it's fun to see the blocks coming along. At least the goofs were caught early and easy to fix since it's a straight stitch. I'm a big fan of that ORange floral for the backing, but I'll wait in bated breath to see what you picked!
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